Showing posts with label Arthur Rackham. Show all posts
Showing posts with label Arthur Rackham. Show all posts

The Old Woman In The Wood


Illustration by Arthur Rackham

Grimm's Fairy Tales: The Old Woman In The Wood (1920)
PLOT SUMMARY:
A poor servant-girl was once traveling with the family with which she
was in service, through a great forest, and when they were in the
midst of it, robbers came out of the thicket, and murdered all they
found. All perished together except the girl, who had jumped out of
the carriage in a fright, and hidden herself behind a tree. When the
robbers had gone away with their booty, she came out and beheld the
great disaster. Then she began to weep bitterly, and said, "What can
a poor girl like me do now? I do not know how to get out of the
forest, no human being lives in it, so I must certainly starve."

She walked about and looked for a road, but could find none. When it
was evening she seated herself under a tree, gave herself into God's
keeping, and resolved to sit waiting there and not go away, let
happen what might. When she had sat there for a while, a white dove
came flying to her with a little golden key in its beak. It put the
little key in her hand, and said, "Do you see that great tree,
therein is a little lock, open it with the tiny key, and you will
find food enough, and suffer no more hunger."
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Peter Pan in Kensington Garden


Looking very undancey indeed
Illustration by Arthur Rackham


The Fairies have their tiffs with the birds
Illustration by Arthur Rackham

Peter Pan in Kensington Gardens was originally part of an earlier work, The Little White Bird by J.M. Barrie. The Peter Pan chapters were extracted and published as a separate work in 1906. The color plates to Peter Pan in Kensington Gardens by Arthur Rackham made the book immediately popular, and drew attention to Rackham, who was not well-known before then.

Plot Summary:
Peter is a seven-day-old infant who, "like all infants", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human - Solomon says he is crossed between them as a "Betwixt-and-Between". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine River.

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Cat-Skin


Illustration by Arthur Rackham

Grimm's Fairy Tales: Cat-Skin
There was once a king, whose queen had hair of the purest gold, and was so beautiful that her match was not to be met with on the whole face of the earth. But this beautiful queen fell ill, and when she felt that her end drew near she called the king to her and said, ’Promise me that you will never marry again, unless you meet with a wife who is as beautiful as I am, and who has golden hair like mine.’ Then when the king in his grief promised all she asked, she shut her eyes and died. But the king was not to be comforted, and for a long time never thought of taking another wife. At last, however, his wise men said, ’this will not do; the king must marry again, that we may have a queen.’ So messengers were sent far and wide, to seek for a bride as beautiful as the late queen. But there was no princess in the world so beautiful; and if there had been, still there was not one to be found who had golden hair. So the messengers came home, and had had all their trouble for nothing.

Now the king had a daughter, who was just as beautiful as her mother, and had the same golden hair. And when she was grown up, the king looked at her and saw that she was just like this late queen: then he said to his courtiers, ’May I not marry my daughter? She is the very image of my dead wife: unless I have her, I shall not find any bride upon the whole earth, and you say there must be a queen.’ When the courtiers heard this they were shocked, and said, ’Heaven forbid that a father should marry his daughter! Out of so great a sin no good can come.’ And his daughter was also shocked, but hoped the king would soon give up such thoughts; so she said to him, ’Before I marry anyone I must have three dresses: one must be of gold, like the sun; another must be of shining silver, like the moon; and a third must be dazzling as the stars: besides this, I want a mantle of a thousand different kinds of fur put together, to which every beast in the kingdom must give a part of his skin.’ And thus she though he would think of the matter no more. But the king made the most skilful workmen in his kingdom weave the three dresses: one golden, like the sun; another silvery, like the moon; and a third sparkling, like the stars: and his hunters were told to hunt out all the beasts in his kingdom, and to take the finest fur out of their skins: and thus a mantle of a thousand furs was made.

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Maid Maleen


Illustration by Arthur Rackham

Maid Maleen, a princess, and a prince fell in love, but her father refused his suit. When Maid Maleen said she would marry no other, the king had her and her servants locked up in tower, with food that would be enough to feed them for seven years.

After seven years, the food ran out. However, no one came to release or deliver more food to the princess and her servants. They then decided to escape from the tower, with a knife that they had. What they found was that the king was gone and the kingdom no longer existed. Without knowing where to go, they finally arrived at the country of Maleen's lover, and sought work in the royal kitchen.

The prince had been betrothed by his father to another princess. This princess, lacking of confidence in herself, did not think that she would be good enough for the prince. She would not leave her room and let him see her. On her wedding day, not wishing to be seen, the princess sent Maid Maleen in her place.

At the wedding, the prince put a golden necklace around Maid Maleen's neck as a proof for the marriage. At night, the prince went to the wedding chamber where the princess was waiting. He did not see the golden necklace around her neck. Immediately, he knew that the princess was not the one he was married to. Meanwhile, the princess had sent out an assassin to kill Maid Maleen. The prince, who left the wedding chamber to look for his true bride, was guided by the shine of the golden necklace and came in time to save her. With the golden necklace as the proof of marriage, they were married and lived happily ever after.

via Wikipedia

Click here to read the annotated version of the
fairy tale by the Brothers Grimm.


Queen Mab


Illustration by Arthur Rackham for 'Peter Pan in Kensington Garden'

Queen of the Fairies in English tradition.
O, then, I see Queen Mab hath been with you. 
She is the fairies’ midwife, and she comes 
In shape no bigger than an agate-stone 
On the fore-finger of an alderman, 
Drawn with a team of little atomies 
Athwart men’s noses as they lie asleep;
--Romeo and Juliet I.iv.
Mercutio's lenthy speech on Queen Mab portrays her as a tiny but regal figure, fearsom and wonderous at the same time. Her realm is the natural one, of spiders and plants and grubs, but with an unearthly air to them, manufacturing things from moonbeans.

Shelley also wrote a poem on Queen Mab, seeming to borrow from the themes of Shakespeare's play.

Queen Mab is thought to be a degenerated version of the Irish Queen Medb, from the Ulster Cycle. They share traits even aside from their names--both fierce queens of an otherworldly place (the Connacht of the Ulster Cycle is nothing if not fantastical), both incredibly independent, both incredibly sexual. Traditionally, Mab is said to have been married to Oberon, though Shakespeare, in A Midsummer Night's Dream changes her name to Titiana. Titiana's character may simply be a variation on Mab; like Medb and her husband Ailill, Titiana and Oberon battled over who was more powerful, comparing posessions and waging proxy wars.

Mab also appears in Peter Pan in Kensington Gardens, in a no-less powerful form, again as the queen of fairies, who eventually welcome Peter Pan into their company.

via maryjones.us

Undine

 


'Undine' (a novel concerning a water spirit who marries a Knight named Huldebrand in order to gain a soul) is one of the most beautiful fairy tales of the Romantic Age. It was written in 1811 by Friedrich de la Motte Fouqué (1777-1843) and illustrated in 1909 by Arthur Rackham.


Goblin Market


White and golden Lizzie stood...
Illustration by Arthur Rackham


'Goblin Market' by Christina Rossetti
MORNING and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries-
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries--
All ripe together
In summer weather--
Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."

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Comus





Arthur Rackham’s (b. 1887-1939) influence in the history of illustration is undeniable. Many contemporary artists, illustrators, and filmmakers reveal obvious traces in their work of Rackham’s fantasy-driven style. Comus is a masque written by John Milton, the greatest English poet besides Shakespeare. Rackham may have felt an affinity to the great poet, as a fellow country-man. The masque is a semi-allegorical portrayal of sin, or temptation, in the character of Comus, and chastity or temperance, in the character of Lady. Despite Comus’s attempts to trick Lady into drinking a magical cup (representing sexual pleasure), Lady refuses to give in to the sinful Comus. Comus challenges Lady in various other ways, such as arguing that desire is natural to a human being, but Lady will not be seduced. The rest of the masque involves the Attendant Spirit, an angelic figure, 
who comes to rescue her.
via escapeintolife.com